Foreword to How to Recover from the Addiction to White Supremacy (Nathan Hare)
He’s the new Malcolm X! Nobody’s going to talk about his book, HOW TO RECOVER FROM THE ADDICTION TO WHITE SUPREMACY, out loud, but they’ll hush hush about it.—Jerri Lange, author, Jerri, A Black Woman’s Life in the Media
Beyond Religion, Toward Spirituality, essays on consciousness
He is a Master Teacher in many fields of thought—religion and psychology, Sociology and anthropology, history and politics, literature and the humanities.
He is a needed Counselor, for he knows himself, on the deepest of personal levels and he reveals that self to us, that we might be his beneficiaries…. If you want to reshape (clean up, raise) your consciousness, this is a book to savor, to read again and again—to pass onto a friend or lover.
—Rudolph Lewis, Editor, ChickenBones: A Journal
Wish I Could Tell You The Truth, essays
….Malcolm X ain’t got nothing on Marvin X. Still Marvin has been ignored and silenced like Malcolm would be ignored and silenced if he had lived on into the Now.
Marvin’s one of the most extraordinary, exciting black intellectuals living today—writing, publishing, performing with Sun Ra’s Musicians (Live in Philly at Warm Daddies, available on DVD from BPP), reciting, filming, producing conferences (Kings and Queens of Black Consciousness, San Francisco Black Radical Book Fair); he’s ever engaging, challenging the respectable and the comfortable. He like Malcolm, dares to say things fearlessly, in the open (in earshot of the white man) that so many Negroes feel, think and speak on the corner, in the barbershops and urban streets of black America….
—Rudolph Lewis, Editor, ChickenBones: A Journal
In The Crazy House Called America, essays
…People who know Marvin X already know him as a peripatetic, outspoken, irreverent, poetic “crazy nigger,” whose pen is continually and forever out-of-control. As a professional psychologist, I hasten to invoke the disclaimer that that is in no way a diagnosis or clinical impression of mine. I have never actually subjected this brother to serious psychoanalytical scrutiny and have no wish to place him on the couch, if only because I know of no existing psycho-diagnostic instrumentality of pathology of normalcy that could properly evaluate Marvin completely.
—Dr. Nathan Hare, Black Think Tank, San Francisco
Land of My Daughters, poems
Marvin X has been a witness to history. He shows that an excellent minority writer can raise issues that the mainstream publishers and book reviewers find hard to grapple with…. He, Huey P. Newton, Eldridge Cleaver and others were also casualties of the chemical attack on African Americans in the form of Crack and alcohol waged by corporations and a government that placed questionable foreign policy goals above the health of its citizens…. Many of those who inspired the cultural revolution of the 1960s remain stuck there. This volume shows that Marvin X has moved on.
—Ishmael Reed, novelist, poet, essayist, publisher, Oakland
Iraq…how did we get there and how do we get back? The consciousness-altering book of poems that tells the tale, in no uncertain terms and yet always via poetry, is the astonishing Land of My Daughters: Poems 1995-2005 by Marvin X. Marvin X is the USA’s Rumi, and his nation is not “where our fathers died” but where our daughters live. The death of patriarchal war culture is his everyday reality. X’s poems vibrate, whip, love in the most meta- and physical ways imaginable and un-. He’s got the humor of Pietri, the politics of Baraka, and the spiritual Muslim grounding that is totally new in English—the ecstasy of Hafiz, the wisdom of Saadi. It’s not unusual for him to have a sequence of shortish lines followed by a culminating line that stretches a quarter page—it is the dance of the dervishes, the rhythms of a Qasida.
—Bob Holman, Bowery Poetry Club, New York City
Monday, December 14, 2009
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